Mary McCarthy’s most celebrated novel follows the lives of eight Vassar graduates (Class of ‘33), known simply to their classmates as “the group.”
The tangled stories of eight different lives are united by the pivotal figure of Kay Strong—the first of the group to break from the traditions of society by getting married without parental guidance.
The social history presented here, pre-World War II, is equal in period quality to that presented in the tv show Mad Men (if not moreso).
The girls are all middle-class or upper-middle class, growing up during a revolutionary period in American life where women are forming an identity beyond their social class, beyond their parent’s social aspirations.
They work outside the home, they travel abroad alone, they philosophize, they use birth control, they buy this new thing called margarine.
All eight are in some way breaking with the past and forging a new status quo while at the same time falling into prescribed roles.
The language choice is striking and the novel’s structure of twists and turns reveals layers of insights into each character through the commentary and interior monologues of other characters.
McCarthy’s novel was published in 1963, thirty years after the time described in the novel, but the picture she paints of the times seems complete as well as insightful. (I particularly enjoyed the incredibly rich word choice and complex sentence structure. This is a novel written in a different time and its structure is reflective of the times represented.)
It was plain to Polly that many of her married classmates were disappointed in their husbands and envied the girls, like Helena, who had not got married. In June the class would have its fifth reunion and already it had its first divorcees. These hares were discussed wistfully by the tortoises of the class. It was felt that they at least had ‘done something.’ Norine Blake’s divorce—she had gone to a ranch outside Reno and now called herself ‘Mrs. Schmittlapp Blake’—had earned her a place of renowned in alumnae affairs equal to that of Connie Storey, who had become a model for Bergdorf, or of Lily Marvin, who dressed windows for Elizabeth Arden, and outranking poor Binkie Barnes, who was working as CIO organizer, and Bubbles Purdy, who was studying to be a preacher.
“A witty, moving, instructive and wise novel—a gem of American social history as well as very good fiction.” —The Nation
It’s been a trying week but I have enjoyed the following:
“Adversity is just change that we haven’t adapted ourselves to yet.” —Aimee Mullins
I’m reading Nicolas Carr’s The Shallows about how the internet is changing our brains.
“The secret of life…is to fall seven times and to get up eight times.” —Paulo Coelho, from The Alchemist
I’m cheering for James’ grandpa who is recovering from a stroke.
“Each moment of our life, we either invoke or destroy our dreams.” —Stuart Wilde
Always good to remind yourself of this one.
“If you want to build a ship, don’t drum up people to collect wood and don’t assign them tasks and work, but rather teach them to long for the endless immensity of the sea.” —Antoine De Saint Exupery
Important thought as I consider how and what to teach in my new SFU course this fall: Online Marketing for Publishers.
“Never doubt that a small group of thoughtful, committed citizens can change the world.” —Margaret Mead
Hope is light.
“I thought how unpleasant it is to be locked out; and I thought how it is worse, perhaps, to be locked in.” —Virginia Woolf
I will not compare myself to others. The grass on this side is lovely, thank you.
“I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.” —Maya Angelou
Be a good buddy.
“Don’t hire a dog, then bark yourself” —David Ogilvy
Man, was he right.
“Nobody cares if you can’t dance well. Just get up and dance. Great dancers are not great because of their technique, they are great because of their passion.” —Martha Graham
Yes, this is my own interpretive dance.
“Never allow a person to tell you no who doesn’t have the power to say yes.” —Eleanor Roosevelt
“I don’t want to get to the end of my life and find that I lived just the length of it. I want to have lived the width of it as well.” –Diane Ackerman
Going out on a school night!
“It takes a great deal of courage to stand up to your enemies, but even more to stand up to your friends.” —J. K. Rowling
Courage is a valuable asset. (And all my friends are lovely, thank you for being so.)
One of the great things about having creative friends is pimping their stuff.
Rachael Ashe is a photographer, mixed-media collage, and altered book artist. She does amazing things to old books and this summer her work is displayed at the Pacific National Exhibition (the PNE) in Vancouver in the Container Art show.
Container Art is an ambling exhibition. The containers travel the world and are then filled with beauty at every stop.
So don’t just ride the rollercoaster, check out cutting edge contemporary art from Vancouverites.
Rachael Ashe’s container includes amazing book art that floats along the side and back walls. I particularly love the accompanying paper flowers that hang from the ceiling.
Her series is called Forgotten Knowledge and uses a set of twenty-five Funk & Wagnall’s encyclopedias combined with found objects from nature.
Visit Rachael Ashe’s Container Art from August 21st to September 6th at the PNE
Can’t get to the PNE, that’s ok. Just purchase her stuff on Etsy. Ya! Do it, Rachael’s art is cool. I own two altered books already.
Ordinary Thunderstorms is a well written book with a horrible, morally short premise. I did not like this book, but I’d still recommend it. How’s that for conflict?
Adam Kindred happens to be in the wrong place at the wrong time. In shock, he makes a serious of choices that make his situation worse. Throughout the book he continues to make poor decisions and yet the novel ends with no dire consequence to him. This is what I didn’t like.
What happens? (If you don’t like spoilers, stop now.)
Adam Kindred happens to meet Philip Wang in an Italian cafe. Wang forgets a file at his table. Adam decides to call him and personally return the file. He arrives at Wang’s apartment only to find Wang murdered, well, he’s not quite dead. Wang asks Adam to remove the knife stabbed into him, which Adam does. Adam’s finger prints are now on the murder weapon. Adam flees.
Adam continues to flee throughout the book. Wang’s killer continues to track Adam. The police bollocks things up. There’s conspiracy theories and secret agents. It’s all stupid, really. Adam continues to make dumb mistakes. I continued to read.
And as I mentioned, nothing really happens.
I tried not to spoil the details for you. I disliked this book, but if you like random, literary mystery stories, this is well written.
Watch the YouTube video of the Forbidden Journey ride. It’s really dark so I’m not sure if it will make sense to those of your who haven’t been on the ride. The ride is a 3D or 4D adventure. You fly through Hogwarts grounds and the Quidditch pitch, then a dragon chases you, you dip down into the dungeons, and end in the Great Hall.
* Partner Program
* Library Project
* Google Editions
Google has the engineering quality and the data quantity to make them the leader today. Having more books means more content to index, more knowledge and more possible results. Plus, more pages to serve up with advertising, therefore more possible revenue for Google.
Google Book Search is possible because the scanned book data is integrated into general search results.
Partner Program targets publishers or rights owners (writers).
* Materials are indexed (from digital files from books that are digitized—printed books are scanned)
* Publisher decides what books are displayed and what percentage of the book can be displayed
* Material is browse only
* Buying options are available and the publisher can set the priority order of the buy links (i.e., publisher site listed first, then Amazon or other)
* Revenue stream is text ads
Google Book Settlement
* Started as the library project. They scanned entire library collections.
* Included books published up to 5 January 2009, includes orphan works, public domain works
* Google said “we’ll scan, you get a copy and we’ll get a copy too”
* Google will sell full-text access, which is why this is under review in the courts, read here “opt-out class action”
* Revenue streams: text ads, individual consumer purchase, institutional subscription fees
* Revenue share with the Book Rights Registry (which doesn’t exist right now)
Book Rights Registry
* Cost to run will be deducted from the publishers’ 60% revenue share
* In the partner program, there’s the publisher-Google relationship. In the settlement, the program requires you to pay for this additional level.
* In the partner program you can also see the insights (traffic, sales). Here, that info goes to the registry.
* The settlement has explicit rules that might attempt to overrule the existing author/publisher contract
* Because it’s opt-out, Google can now scan all the books it comes across regardless of whether the publisher/rights holder ignores Google or if rights holders have died or gone out of business.
* The settlement is the “other” category, it covers whatever is not covered by other agreements
* The settlement is not yet approved
* Books published after Jan 2009 are not part of the settlement
For Google, books are a giant database to be mined for content pages to index.
The deep mining of this data set means Google’s optical recognition software learns as it goes, making it the best.
* Not launched yet, concrete details
* Digital bookstore, not just discoverability (Partner Program), this is about sales
* Books are included by request
* Agency model pricing: 37-63% split
* This is the extension of the Partner Program. Users discover the books through Google Book Search and then buy via Google Editions
* Google will sell ebooks in whatever format and whatever geographic region where rights are held
The settlement is the default agreement and applies to eligible books (pre-Jan 2009) whenever another Google agreement isn’t already in place.
Google Editions may be combined with the Partner Program.
Regardless of the agreement, books will show up in Google Book Search.
* strengthen your own presence online
* optimize your site for search
* if you haven’t opted out of the settlement then claim all your books before 31 March 2011 (if you don’t claim your books, you get no cash payments)
* scan your own books (Google doesn’t give you a copy)
Christoph Kapp, Manager, Library & Digital Services, Special Sales, Custom Solutions at Login Canada on markets and strategies for digital publishing.
Why focus on libraries?
Example of a university library annual budget: $14 million
Majority goes to journals.
Libraries are places of discovery, connection, sharing.
$500 million a year is spent on content.
Libraries are in transition. As materials move online, libraries are no longer about paper books. This has initiated changes in the library environment and across Canada.
Librarians are not ...
Librarians are experts.
* Highly Trained
* And experience in training others
* Customer focused
* Quality Seekers
* Value Seekers
* Results oriented (usage is important, not just making content available)
* Sustainability oriented: Not just eco, but sustainable usage goals, ROI
* Strategic partners
Digital Content trends in Canadian libraries
Content of corporate libraries is not quite 100% but many are providing 90-100% digital vs. printed materials for their members. Their organizations are digitally publishing their reports and studies, etc. Corporate librarians are therefore well ahead of others bringing content online.
University libraries are catching up. They have a larger collection to oversee, which has slowed them down.
K-12 is the slowest to adopt digital. Many of the relevant teaching materials are not digital. Plus there are issues of availability/accessibility to funding for digital materials. Books and basketballs are easier to pitch for than funding for databases.
Religious and private schools are slightly ahead.
Hospitals were slow to uptake but the spike is significant.
* Digital packages for ebooks are more readily available.
* Consolidation in the health care sector means that digital is a cost effective measure.
(Monique’s aside: I wonder what this means about Kindle and other mobile reading devices, or even content sent via the tv sets available at bedside. Devices walk but I wonder about materials distributed as a tv signal…)
Old infrastructure of hospitals (lovely brick walls, cables vs. air signals) also affects the possibilities in this market.
Money is not the challenge. They have the budget. Proving the demand for your content is the challenge.
The typical challenges fall into these categories.
Old-school digital: Can you get investment in new tools? If the current system is “good enough”, this is a customer issue that you have to leap.
There are so many digital options: The customer can be overwhelmed.
There are types and standards: ebooks, databases, DVD/CD/Audio, OEM/systems/gadgets, integrated and custom/bundles, file standards (pdf, xml, OeB, ePub)
There are platforms: aggregators, publishers, libraries
Aggregators are an option because publishers didn’t build their own platforms (where/how customers get access). So the aggregators built the platform and bought licenses from the publishers.
(Monique’s aside: Yet another thing publishers didn’t do for themselves, making their business/revenue dependent on a third party. Hello Google. Hello Amazon.)
There are pricing models: single download, subscription (concurrence, unlimited), perpetual (access forever—by paying a higher amount, you have access forever), local-load (started at Stanford, this is where UofT has invested in own infrastructure, they own and house and control that content), other
(Monique’s aside: how do you “control” and price your content? Local-load is an interesting spin because it’s the closest thing to “ownership” of the print book. Custom course packs look really interesting in this model.)
Scholar’s portal is owned by 22 Ontario universities and they can buy and access all the materials in this system. So 1 sale to the portal, with access to all. This creates interesting legal issues. The contracts define the usage.
(Christoph’s aside: Precedent setting Master license is coming soon with schedules for reference, trade, rate, and for textbook use. So far, it’s been 1 or nothing licensing. This is a totally different business model. It’s not open access, it’s 1 use at 1 time. When it’s not material adopted for courses, then it’s more open. This provides the content but manages the demand vs. the supply.)
Then there are periods: one-time, annual, multi-year, mix
(Christoph’s aside: California matters in publishing because it’s a good model to look at for Canadian publishing. Studying what happens in California is indicative of what might work in Canada. Similar population make-up.)
Content Is King. Or is it?
In libraries, “Content Is King” is re-written to “Usage Is King.” Librarians need to prove that the content is being used.
(Monique’s aside: Librarians want the People’s Prince, not the Inaccessible King.)
Collect, measure, analyze the usage = Deci$ion to buy.
Once again, this great info is from the SFU Digital Strategy session by Christoph Kapp, Manager, Library & Digital Services, Special Sales, Custom Solutions at Login Canada speaking on markets and strategies for digital publishing.
My favourite book of 2005 was Jim Lynch’s The Highest Tide. I still recommend it. But now I can recommend his latest novel, Border Songs.
Think The Curious Incident of the Dog in the Night-Time + CNN reporter on the hijinks of the Border Patrol + an episode from Weeds.
Border Songs is about Brandon Vanderkool, who is a six foot eight, dyslexic, perhaps slightly autistic, romantic, bird-watcher who loves working on his father’s dairy farm but happens to be serving his country on Border Patrol in Washington State.
This quirky novel tells the story of Brandon and the townsfolk on both sides of the border who complicate his down-to-earth approach to life.
There’s pot smoking and pot smuggling, and a pretty girl doing both.
There’s dairy farmers, gad-abouts, an insulting professor and an equally exacerbating vet.
There’s the Border Patrol, the smugglers and the victims of both.
Lynch has provided another wonderful look at a very particular, and peculiar, place along the Canada-US border. Like The Highest Tide there’s hilarious tension, tenderness towards wildlife, and insightful pokes in the ribs.
The day job requires me to pretend like I know how to manage employees so I subscribe to a number of newsletters for HR, entrepreneurs and managers. I don’t find a ton of useful information, although it is good reinforcement that in all situations common sense should prevail.