Prep your bookshelf for this tale of polite theft, bitter heartbreak, domestic mystery, and cold-blooded murder. Patrick deWitt, award-winning author of The Sisters Brothers, has a new novel out this fall.
The Sisters Brothers was a fantastic read, one of my favourites that year, and it won the 2011 Governor General’s Literary Award for Fiction and the Rogers Writers’ Trust Fiction Prize, and was also nominated for that year’s Man Booker and Scotiabank Giller Prize. I’m really looking forward to this one and have an advance copy to enjoy! (Thanks House of Anansi)
Full review to come, but the basics are this: Lucien Minor (Lucy) is young, foolish and rather daring. He accepts employment as “undermajordomo” at the disquieting Castle Von Aux (think Transylvania) and becomes embroiled in a love triangle. The book is full of the dark secrets and peculiar characters, so peculiar that you will be forced to turn the pages to see what’s next.
Undermajordomo Minor by Patrick DeWitt will appear Sept. 5 simultaneously in Canada (House of Anansi Press), the U.K. (Granta Books), and the U.S. (Ecco/HarperCollins).
Available in hardcover and ebook.
Pre-order Undermajordomo Minor
Four distinct voices tell the tale of one family’s attempt to transcend the Kabbalah Tree of Life. Each seeks enlightenment. Each failure has a lesson. This is a debut novel about faith, family and finding meaning from an accomplished writer, editor and playwright.
The Mystics of Mile End is set in Montreal’s Mile End, a mashup of Hasidic Jew and hipster cultures. Brother and sister, Lev and Samara Meyer, are at a loss after the death of their mother. They seek refuge in their faith and retaliate against their father David’s denial of that faith. David, for his part, is uncertain about his own faith and seeks the meaning of life in self-destructive ways. He’s a professor of Jewish mysticism, yet not any more enlightened, and his research into the Kabbalah Tree of Life, discovered posthumously by Samara, might be the one thing that finally connects the family.
The Torah is the five books of Moses, so I thought that there would be five books in The Mystics of Mile End but there are only four: Lev, David, Samara and Mile End.
I guess Mile End really is a character in the book. But beyond a geographical place, it’s where Holocaust survivor Chaim Glassman lives (in silence) with his wife. It’s where Mr Katz is assembling lemons and wired-up tin cans in his giant oak tree, and where Lev’s star-gazing friend Alex falls in love with Samara and then learns his own lessons and break throughs.
The novel is about what happens when we search for signs instead of living, and when we are silent instead of talking. It’s a strong debut novel.
The Mystics of Mile End by Sigal Samuel
published by Freehand Books
As part of the Vancouver Sun’s book club, I’ve been discussing Boo, a new novel by Neil Smith. It’s about Oliver “Boo” Dalrymple, a 13-year-old boy who narrates the book from the afterlife. The jacket blurb’s proclamation that this is “Lord of the Flies without pig slaughter and privation.”
Read more: http://www.vancouversun.com/news/book+club+year+protagonist+quest+meaning/11151629/story.html#ixzz3fr3fwphy
One of my favourite discussions was about the 1970s cultural references in the novel. Here’s what I said:
Until our conversation last week, I did not pick up on the fact that the book is set in the 1970s because there are so many hipster trends today that allude to that period. It’s obvious now, and so overt, that it’s embarrassing to admit that I glazed over this aspect of the novel. As I started compiling a list of the cultural references, I couldn’t stop so this is not an exhaustive list, just want sprang to mind.
First off, I loved the Napolean-Dynamite visual I got when reading about Boo or Johnny wearing the white and blue striped gym socks and sweat bands. That alone brought levity to the underlying story of two boys dead in a school shooting. The peace symbol and style of clothes really do set the story in the 70s for me but Town/Heaven is presented as Salvation Army so, again, I didn’t initially understand the setting to be the 1970s. My assumption then, since there are no computers or video games, is that Town’s culture is that of America in current day.
The clothes especially made me laugh and Boo’s criticism of the cashmere sweater and egotism of 13-year-old girls reminded me of that all-about-me phase. It’s funny, especially, if the 70s was the Me decade, to end up in town with generations of 13 year old Americans. You would not feel so unique, which is maybe why some townies identify as gommers, or portal seekers, or find other ways of segmenting themselves off.
The other prominent 70s references for me were the Hardy Boys references, especially the building named Frank and Joe, the music references, and I immediately thought of the do-good council as the Brady Bunch.
I wonder if there are no cars in Town because 13 year olds can’t drive, or if that’s a reference to the oil crisis? Likely the former. And I don’t know enough about the history of the periodic table but there’s obviously an interesting study of those elements and their function within the storytelling.
What I don’t recall are references to Star Wars. But Boo is certainly aware of the starscape and Zig only changes it on occasion. I wonder for people who saw the moon landing first hand, if it was underwhelming. It’s cool, but there’s nothing there. Was that a letdown and made people wonder about heaven? If you imagined the moon as this great place then saw its pocked surface, did you question what you’d imagined about heaven?
The mental health building, Johnny’s behaviour, and the sense of being in purgatory or sentenced to 50 years in town reminded me of One Flew Over the Cuckoo’s Nest. There were several places in the novel when I wondered who the crazy actually was.
You can read the full discussion among all the book club members here: http://www.vancouversun.com/entertainment/books/book+club+References+1970s+abound+afterlife+novel/11132081/story.html
Boo was a fascinating novel and an interesting philosophical experiment on what the afterlife holds for us.
Boo by Neil Smith
published by Knopf Canada
I discovered this book in the Rathmines Public Library, displayed in a section for nominees of the IMPAC Dublin Literary Award. It’s billed as a smart novel, and it unveils the aspirations, and vanity, of three unnamed authors competing for a prestigious, unnamed prize. I enjoyed the irony of that. For background, this is Italian Filippo Bologna’s second novel and the first was well regarded. Indeed he may be one, or all, of the characters in the book.
It’s important to note that the characters live in Rome and there’s a dark undertone to the competition and the vote rigging or schmoozing required by authors in order to win. And winning is important as it increases sales and can firmly establish an author. So how far is each willing to go?
The three men are The Beginner, The Writer and The Master. The Beginner is the hot, young thing. He’s good looking and loved by the critics. A win means instant fame. Neither the Master or Writer want to be beaten by the novice. Plus they both deem his novel unreadable. The Writer assumes he’s the sure win, but he is the most nervous of the lot. His last book wasn’t very good. He is onto The Second Wife already and needs to win to not be dumped by The Publisher as the lost could strip him of his fabricated identity and posh lifestyle. The Writer has everything to lose. For him the win is security.
As I mentioned, the dark satire throughout the novel is about how far each author is willing to go to win. The Master is the most disheartened. He’s stuck with a small press throughout his career and has never quite got the recognition he deserves. A win means money. Plus he now has prostate cancer. Will he lose his dignity and use his cancer diagnosis to get the sympathy vote or is he above it all? The other two have their own twists of fate but I don’t want to spoil the read for you.
The novel is black, in a sullen artisty way. There’s a thread of humour throughout. And overall it was an enjoyable read. Not a page turner but I did want to see it through to the end. You’ll like this novel if you’re also a fan of The Map and the Territory by Michel Houellebecq, caustic humour and insider look at fame in the art world, or The Imperfectionists by Tom Rachman, a satirical look at an English-language newspaper in Rome.
Oh, and what’s with the title, The Parrots? Well there is a rather nasty parrot that taunts the Beginner. Also there is a parrot at the end with the Writer. It’s unclear whether this is the same parrot or not. But as soon as I read the title and the opening scene with the parrot and the Beginner, I thought we were dealing with Flaubert’s Parrot, and surely there’s a connection. Here’s a snippet from Wikipedia on Flaubert’s Parrot by Julian Barnes:
One of the central themes of the novel is subjectivism. The novel provides three sequential chronologies of Flaubert’s life: the first is optimistic (citing his successes, conquests, etc.), the second is negative (citing the deaths of his friends/lovers, his failures, illnesses etc.) and the third compiles quotations written by Flaubert in his journal at various points in his life. The attempts to find the real Flaubert mirror the attempt to find his parrot, i.e. apparent futility.
The Parrots by Filippo Bologna
Published by Pushkin Press
View it on Amazon
Posted by Monique at 07:13 AM.
Book Reviews •