Chris Labonté, Douglas & McIntyre’s Assistant Publisher & Acquiring Editor, imagines a fiction program that features extraordinary writers. “Extraordinary writers willing to push the bounds of literature; to mess around with form and content and style; to bend genre and explore new ways of telling good stories.”
The result is the Fall 2009 “Imagine That” campaign and the Speak Easy podcast, hosted by John Burns.
Featured in my press kit are the following books.
Daniel O’Thunder: a Novel by Ian Weir
Heading South: a Novel by Dany Laferriere, translated by Wayne Grady
Red: A Haida Manga by Michael Nicoll Yahgulanaas
Also in my kit was a reminder that Douglas & McIntyre has been publishing Quebecois and French-Canadian literature in translation for nearly two decades. Included on the list are several works by Monique Proulx (I want to read Invisible Man at the Window) and works by Daniel Poliquin.
I’m looking forward to more podcasts and great fiction. Thanks for keeping me in the loop D&M.
Latest industry news headlines. Stay up-to-date with the most recent headlines in small business and personal legal issues. Read up on personal finance and real estate issues.
Free articles and expert resources. Take advantage of tips and guides provided by Self-Counsel’s authors, editors, and experts. Topics ranging from divorce and legal wills to starting your own small business, and social media marketing are available for free on the site and in downloadable PDF format.
Interactive forum. Users can connect with Self-Counsel authors and industry experts on subjects ranging from the latest trends in do-it-yourself legal topics to specific questions about starting and running a small business.
Digital products. The new website features downloadable products, including small business and legal forms.
Sample chapters. Users can download sample chapters of every book Self-Counsel publishes.
Social media bookmarks. A “share” button under every article, news headline, and book allows users to share information with friends and family in an easy and efficient way. Users can also find links to book review blogs, book giveaways, and relevant videos.
Tags. Users can add tags to each of the books on the site as a way of categorizing or labeling them for future reference.
Book reviews. Readers can share their opinions as well as read what others have said about Self-Counsel’s books.
BookCampTO was this weekend and it stimulated my brain.
Mitch Joel, who I admire greatly, was in attendance and we had a couple of excellent thought exchanges, one of which is playing out on his blog.
Here’s a fleshed out version of my comment “Gratis vs. Libre.”
The thing of value that publishers and authors have is the content of their books. Setting the value of that content at zero is not the way to go. (Although there are interesting examples of free PDFs that lead to great value for the publisher and author. See the D&M case study on The Tar Sands (PDF).—Thank you Alison for sharing!)
Giving the content away for free (in whatever format the book takes) is like my fellow apartment dwellers who toss books into the “free” box in the laundry room. Those books are gratis. They are one step above being thrown away. The value exchange between giver and taker is “meh”.
Freeing the content, as in libre, is what publishers and authors are after. It’s the quest to give—as in a gift—that allows the value exchange of the content to remain in tact.
Why did the D&M campaign meet its goals with the free PDF? Partly because it’s still early days for free PDFs. D&M captured our attention by giving away the entire book because there are few people doing that as a marketing strategy. There is value in the rarity.
More important though is that there was a strategy to this campaign. They set measurable goals in advance. And they didn’t set the only goal as increasing sales because they recognize that there’s not a direct correlation between a single marketing campaign (with multiple facets) to sales. But most important of all, they treated the PDF as a gift.
It was available for a limited time. And it was available, in particular, to journalists and bloggers as a file that they could gift to others. It was libre—free to travel, free to be shared.
Book publishing is an industry in a cribbage game—and it’s not about avoiding getting skunked by your fellow publishers, it’s about avoiding getting skunked by every other industry vying for consumer attention. You are playing as an industry, not as individual players.
BookCampTO is one example of how we can work together and I really hope to bring that conversation to the west coast. Thank you for the Toronto hospitality.
I’ll be posting my BookCampTO notes at http://www.breakthespine.com/. If you’re interested in attending the Vancouver debrief session sign up for email alerts at Break the Spine, email me, DM me on twitter—chose your means.
How to Entry
Write 250 words or so on the Death of a Critic (Literary or Art), and what they did to get there.
Everybody Hates a Critic. Some people hate them more than others.
Terry Griggs’s new comic-noir biblio-mystery Thought You Were Dead kicks, err, off with a literary critic found under a hedge with a knife in his head, and literary revenge plays an increasingly important role as the novel unfolds. The literary world, and especially the Canadian literary world, can be a small, spiteful – and occasionally murderous – place. Character assassinations abound, books are regularly murdered in the (shrinking) book pages across our fair land, while others are smothered with damningly faint praise. More than a few knives, even if thankfully metaphorical, have been buried hilt deep in authorial backs.
Do you bear the scars of CanLit’s internecine wars? Have you spent a small fortune on postage and only have a drawerful of rejection slips to show for it? Has the world been slow to recognize your evident talent? Then, dear reader, this contest is for you.
The best of the entries will be published as they are received at RevengeLit.blogspot.com. The winning entry will:
1) Receive a one hundred dollar cash prize
2) Be published in a forthcoming issue of CNQ: Canadian Notes & Queries
3) A Biblioasis press catalogue of in-print trade titles (approx. 40 books, retail value approx. $1000.00)
Entries to be judged by Dan Wells, Julie Wilson and Terry Griggs.
The Shebeen Club
Monday, April 20, 2009
6:00pm - 9:00pm
What: Old Publishers Have New Think Coming call to arms!
When: Monday, April 20th, 6pm-9
Where: The Shebeen, behind the Irish Heather, 210 Carrall Street.
$15 cash at the door includes dinner and a drink.
And yes, it’s okay to show up without RSVPing first.
Gutenberg was an early adopter. Very few people know that.
Call to action from Monique: I’m going to organize a panel in Vancouver. We’re going to create a model for publishing and marketing books. We’re going to move forward as an industry. Leaders will be identified. Roles will be assigned. If you’re not open to totally change everything you’re doing, then you are not ready for this revolution. Don’t come.
Monique Trottier is the owner of Boxcar Marketing, an internet marketing company in Vancouver, BC. As the former internet marketing manager of Raincoast Books, she spearheaded major online marketing campaigns, including online promotion of Harry Potter and the creation of the first Canadian-publisher podcast and blog. Her thoughts on marketing and technology can be followed on Twitter at “somisguided” or on her blogs at http://www.boxcarmarketing.com/blog and http://www.SoMisguided.com.
From Farm to Table: A six-part Food and Culture series on sustainable food systems hosted by Barbara Jo’s Books to Cooks and Farmfed
I’m helping Anthony Nicalo and Natalie Jensen of Farmfed, a non-profit organization dedicated to building transparent, sustainable food systems, promote their six-part food and culture series entitled Provenance: You are what you eat.
If you want to help, grab the widget in the sidebar or pull some info from below. Or just come to the events! Hope to see you there.
From Farm to Table. Provenance: meaning source or origin. You Are What You Eat
Over the course of the series, experts will join host Anthony Nicalo for classes directed at understanding the origins and sources of the meat, seafood, wine, and produce that appear on our kitchen tables and restaurant tables.
* Part 1-5: Barbara-Jo’s Books to Cooks in Vancouver at 1740 West 2nd Ave.
* Part 6: UBC Farm at UBC
$65 for individual tickets or $360 for all 6.
Call Barbara Jo’s Books to Cooks at 604.688.6755.
Tuesday, April 21
Join Anthony Nicalo for the official book launch of Provenance: a blueprint for the modern eater. Guests will learn to assess the sources for food they eat and will learn practical tips for buying clean, healthy food.
Monday, April 27
Special guests include Mike McDermid, Program Manager of Ocean Wise, and Chef Robert Clark of [C] Restaurant discussing the importance of understanding seafood’s impacts on our oceans. Guests will enjoy sustainable seafood hors d’oeuvres prepared by Chef Robert Clark and fish-friendly wines.
Tuesday May 5
Jason Pleym, founder of Two Rivers Specialty Meats will shed light on what is really going on in grocers and butcher shops, while guests taste naturally raised meats.
Wednesday May 20
Mark Bomford, the Program Coordinator for the Centre of Sustainable Food Systems at UBC Farm will share tips for buying and growing sustainable produce.
Tuesday May 26
Farmstead Wines founder Anthony Nicalo lifts the veil on wine marketing and connects guests to authentic wine and artisan farmers.
Saturday June 6 at UBC Farm
This special fundraiser features international food expert and author of In Defense of Food, Michael Pollan. Pollan will share his manifesto for eating. Guests who participate in the full series will receive a gourmet picnic lunch at UBC Farm.
“Having these experts share their knowledge with us is very empowering”, remarked Anthony Nicalo. “Because the food we eat has clear implications for everything from clean water and climate change to hunger and obesity, the power to change the world is right in front of us, on our plates.”
Bruce Sterling Session
Monday, March 16th at 05:00 PM
* Bruce Sterling - Wired.com
His state-of-the-cybersphere analyses are always a highlight of SXSW Interactive. Don’t miss what the veteran science fiction writer and industry pundit has to say about the wired world this year.
Let’s talk about our relationship. Yours and mine.
I’m an author. I’m a journalist.
There’s my business card.
With a phone and fax number.
Look. These artifacts are called books. I know you’re not used to seeing them.
Let me explain how they work.
I write a lot of words in a row. A whole lot of words. Not even character count. Then I go back and carefully restructure them and move them until they have a coherent storyline. Then I send them to my agent who sends them to a publisher who sends it to an editor and eventually it goes to a distributor who handled cult activities like author tours. And it goes to retailers who sell it to people and then return unsold copies.
This whole business has hit the skids.
Publishing has never been such a parless states. If you were an author in this system, you go 4-8% in a not really accurate royalty system. But that was ok because you, as an author, were likely to go screwy anyway.
As an author and journalist, I feel much more sorrow for the state of editors.
Editors/Publishers model is not working out. Now you have the cliched perfect storm of troubles.
Sterling on the book
I have them. I thought about spamming the audience with them. Or hiding them and geo-locating them ...
No this belongs to someone who is young. Under 20?
There is not a teen in the room? So much for this being a teenagers. Think. Just break times’ hourglass. Just take them away young people. I don’t expect you to read them. You txt.
How do we face this problem?
Twitter feed: media is dying
Print media spent 20 years making fun of a paperless society.
Could I put it on Kindle? Oh it’s there. Am I happy about that? No. Will anyone be reading a Kindle when one of them is my age? No. It’s like an atari.
Traditionally authors burn all their love letters on their death bed. Now we issue them under creative commons.
WIRED Italia. Look at the size of the ads in this baby.
[ ... monique distracted ... ]
What concerns me is the death of the audience. It doesn’t matter what happens to me. I’m better off than most authors I know, most journalists I know. There was a period of greater prosperity. I wonder why, why do I have a relationship to you. Why do you have a relationship to you?
My twitter group is bigger than you, more widely spread than you. They are probably a better audience than you. They can put up with more than you. They’ll RT me. I know some of you are gathering together in the back conspiring ... drifting ... you’re the people formerly known as the audience. And you’re forfeiting the benefits of the audience. Paying attention to the point of being able to discuss it.
[Bruce opens a drink. I used to have a great parties. It was my house. We were there to enjoy ourselves. Opens chips. You thought you were getting chips, but I was in control of the chips. The servers. They were in my corner.]
MT: Best laugh out loud.
Old social media (parties) were bring who you trusted.
The party audience was replace by social media influencers. Their capacities were built up. It was impossible to open up to this audience because they’d tweet their buddy list. It’s a technologically transformed situation and the loss is a social loss.
There’s a loss.
How do we restore those days? They aren’t coming back. Why do I keep up author appearances? Why do I have to keep up a level of respect? You’re not my friends. I’m not your host.
[cookie eating now]
Even if you’re broke, you will still be densely connected.
Connectivity is a symbol of poverty.
I might become boring enough that no one comes by anymore. You can lose your fame to the point that no one shows up.
I can’t throw a party and sit around and talk about vinyl and books. I feel the loss keenly. Playing lost vinyl for your friends. This has vanished.
I have little parties in those places with which I have similar relationships to this one. Lift Conference is getting bigger every year. Reboot in Denmark, great conference again. Amsterdam is on top of their game.
USA could be like Canada. We’re afraid of French, Germans. We’re liking Canadians: cute, cuddly. They’re afraid of being us.
Let me read this silly stuff to explain what’s happening:
“Melt down money-quake yuppy flu end of the world as we know it the long emergency bush’s legacy the great reset the inflection un-real estate communism 2.0 ... the long doom.”
This is what I think books will look like in the future. Austin is a bookish town. Book culture will mutate on the way down.
Austin bookstore I saw on the way into town. HP Lovecraft: greatest, most creative ... and when he wasn’t getting commercial work he basically started blogging. Here are his miscellaneous writings. A small fraction of his discourse and it’s bigger than his collective works. This non-fiction, community organization was more time than his stories.
Within his community, he was trusted. The American Amateur Press Association was his blog network. A lot of writers came out of this association. Robert Block. The Lovecraft circle who grew up from a B.
What does the future look like?
Go to Brave New Books in Austin. Right-wing nutty.
This is a harbinger of something interesting. The tactics are more important here.
[ ... more to come ... 15 minutes of battery left ... ]
This is not a discussion of whether ebooks are killing treebooks, or whether it’s possible to get cozy with an Amazon Kindle. It’s about how participatory culture and the online world interact with good olde book publishing.Clay Shirky, author of Here Comes Everybody, Deborah Schultz, and fellow panelists will share with the audience a variety of perspectives on what’s going right and what’s going wrong in publishing, assess success of recent forays into marketing digitally, digital publishing, and what books and blogs have to gain from one another. Penguin Group (USA), which houses some 40 plus imprints and publishes an extremely broad variety of physical and digital products everything from William Gibson’s first ebook in the 90’s to Michael Pollan’s In Defense of Food to Charlaine Harris’ Sookie Stackhouse novels (the source for HBO’s True Blood) is deeply involved in exploring ways that old and new media might better collaborate. Audience members are invited to speak up about what they think book publishers could/should be doing to better provide relevant information and content to blogs, websites, and online communities. Come tell old media what you want and how you want it.
Clay Shirky ITP
John Fagan Mktg Dir, Penguin Group (USA)
Deborah Schultz Founder/Chief Catalyst, deborahschultz.com
Peter Miller Dir of Publicity, Bloomsbury USA
Ivan Held Pres GP Putnam’s Sons, Penguin Group (USA)
They certainly told publishers what they think. The summation was “you suck at this is the biggest way possible.”
I think it’s unfair to attack the folks on that panel but as representatives of the industry they do have to go back to their houses and understand that they need to convey, not that bloggers are an unruly bunch, but that publishers need to get off their asses and get involved with social media. Enough is enough.
If you’re going to hold a session called “New Think for Old Publishers”, you gotta come with some new thinking. Either that or tell the audience that it’s a research session…and the audience is supposed to bring the new thinking. Good idea, needed better execution. Nobody read the panel description to mean “we want the audience to tell us what we’re doing wrong and how we can fix it”.
The publishing people on stage said, essentially, tell us what we’re doing wrong and how we can fix it. You have 300 people who give up an hour of their lives to hear the cool things the traditional publishing business is doing…and you can ask them to consult on your business?
What went wrong is this:
* Publishers have not listened to the crowd for a long time.
* The crowd is restless.
* Publishers wring their hands about the web.
* The crowd offers options publishers don’t like.
* Publishers weep into their hands.
* The crowd wants to help and offers other suggestions.
* Publishers act like deer in headlights.
* The crowd plows down publishers and reinvents the industry without them.
What this panel really came down to is that the wisdom of the crowds is not being tapped. The crowd is now sick and tired of trying to help people who won’t help themselves.
Hold me to this: I’m going to organize a panel in Vancouver. We’re going to create a model for publishing and marketing books. We’re going to move forward as an industry. Leaders will be identified. Roles will be assigned. If you’re not open to totally change everything you’re doing, then you are not ready for this revolution. Don’t come.
Peter Miller Glibness. “Do As I Say, Not As I Do: Tips from a panelist who barely survived” in Publishers Weekly. Read the article.
Michael Tamblyn of BookNet Canada on 6 Things That Revolutionize Publishing
Curating the Crowd Sourced World
Nice panel discussion from people who are currently letting the crowd do the driving (but, of course, the wheel is only controlled at any one time but one person). Perhaps the panelists are more interesting individually.
There are 6500 registrants for the interactive portion. These are the participant bags.
The speakers’ name signs are last name only. This is so that the cards can be reused by all speakers with the same last name. Now that’s a cool planet-saving measure.
Christina Aguilera’s new perfume Inspire was a big hit in Tel-Aviv thanks to a great marketing stunt.
Mizbala of Tel-Aviv placed tens of thousands of quality clothes hangers, with a perfume sample and a branded Christina Aguilera label in public locations all over the country. (Via AdPulp c/o James @ AdHack)
The campaign is called “Sometimes It’s All You Need to Wear.”
The perfume sold out in 1 week.
Inspire is a beautiful white floral, with a lightness of touch, twisted with colourful fruit notes. This is a fragrance that’s classic and enduring; sweetly feminine and sexy, with a vibrant freesia top note and a heart of beautiful Tuberose flower, one of Christina’s favourite ingredients.