In 2010 filmmakers Faythe Levine, coauthor of Handmade Nation, and Sam Macon began documenting the dedicated practitioners of hand-painted signs, their time-honored methods, and their appreciation for quality and craftsmanship. Sign Painters, the first anecdotal history of the craft, features stories and photographs of more than 25 sign painters working in cities throughout the United States.
A hilarious text exchange yesterday morning led me to these thoughts:
John Green is hilarious. I didn’t know that.
One of my Pub355 students introduced me to his videos (and I should have watched them immediately).
Craig Ferguson is still hilarious (always knew that, loved his show, haven’t watched it for awhile, thought his novel was darkly funny).
I’m now addicted to John Green videos.
I’m ready to read The Fault in Our Stars (cancer story, couldn’t read that last year due to a family illness).
Here’s how it all went down.
SDS: Do you know John Green?
Me: I know Joslin Green (Boxcar designer).
SDS: John Green. He’s big on the internets. There’s a video clip where he goes on about being a big Harry Potter fan and going to conferences.
Wait. What? I’m a big Harry Potter fan and go to conferences. Who are we talking about?
(Search “John Green” and autocomplete brings up “John Green Books”)
Me: Oh, John Green, author. I thought we were talking about someone I know personally. I know author John Green of The Fault in Our Stars. Harry Potter fan though?
SDS: Yes, the interview on Craig Ferguson is about his book. He goes to Harry Potter conferences.
I go to Harry Potter conferences. Who are we talking about?
(Search “John Green Craig Ferguson”)
Yes, yes. Same guy. Ok, the puzzle pieces of this text thread are coming together. John Green. Author. Interview on Craig Ferguson.
Watch 11 minute video (actually it’s not that long because the last 4-5 min are some other show promo). OMG funny, worth watching. I didn’t know how personable John Green is.
Discovery: Yes John Green is a Harry Potter fan and goes to conferences because his brother plays Wrock. (That’s Wizard Rock for those of you not in the Potterverse). I personally like the Mudblood’s “Be My Witch Tonight,” which I first heard at Portus 2008.
Who, then, is his brother?
(Search “John Green Brother”)
Hank Green. Thank you Wikipedia.
Ah! This is the guy behind “Accio Deathly Hallows”, which was super popular because it went viral before the last Harry Potter book was released. I know this (without knowing or connecting the details). Hilarious! This is a fun internet-browsing adventure.
(How are you liking the inner workings of my sleep-depraved, new mom brain? Fascinated, I’m sure. Thankfully this blog is called So Misguided.)
Next thought: That song launched Hank and John’s Vlogbrothers YouTube channel into the stratosphere, which is what my student Calvin was telling me in September. I clearly should prioritize reading/watching links sent to me, not just by students but by James, Boris and friends who diligently keep me up to date. Mea culpa.
John Green video—Mar 19, 2013—offers a great commentary on advertising and where marketers are going wrong when they think about social media and advertising. (See this is valuable, work-related research now.)
Plus, the video was filmed in advance of the Craig Ferguson interview so the neurosis of this video is a perfect complement to (my state of mine, ur, I mean) the actual interview itself.
I’m now addicted to John Green and most certainly want to read The Fault in Our Stars, which I wanted to read before anyway.
3. The Value and Distraction of Author Platform Building
I’ll make a bold statement right here that I don’t think I’ve made before.
If you’re a totally new, unpublished writer who is focused on fiction, memoir, poetry, or any type of narrative-driven work, forget you ever heard the word platform. I think it’s causing more damage than good. It’s causing writers to do things that they dislike (even hate), and that are unnatural for them at an early stage of their careers. They’re confused, for good reason, and platform building grows into a raging distraction from the work at hand—the writing.
Therefore, build your platform by writing and publishing in outlets that are a good fit for you, lead to professional growth, and build your network. The other pieces will start to fall into place. It might take longer, but who cares if you’re feeling productive and enjoying yourself? Go be a writer and take a chance on the writing. Writing and publishing good work always supports the growth of your platform—and I’m willing to bet more valuable platform building will get done that way, especially for narrative-driven writers.
Exception to the rule: Nonfiction/non-narrative authors and entrepreneurial authors who are self-publishing. Sorry, but you should probably focus on platform as much as the writing.
I 100% agree. And when publishers are talking to authors about building a platform, they are looking for a John Green.
But you know what? Green is a total outlier. See above activities with Hank Green. Then look further back than Vlogbrothers. Vlogbrothers was predated by the Brotherhood 2.0 Project.
John Green and his brother Hank ran a video blog project called Brotherhood 2.0. The original project ran from January 1 to December 31, 2007, with the premise that the brothers would cease all text-based (‘textual’) communication for the year and instead converse by video blogs, made available to the public via YouTube (where they are known as the ‘vlogbrothers’) and on their Brotherhood 2.0 website. Thanks again Wikipedia
Dear authors: a platform is often years in the making. Be realistic about the time you have available if you want to build an audience faster than that.
Dear publishers: See above point for authors.
And now I’m off to feed Finlay. Another day. Another 8 feedings. Another 8x to get lost in the ramblings of my own brain. Thanks for following the thread of this one.
March 6 was World Read Aloud Day and many organizations celebrated by giving away books. Global Mechanic’s A Sweet Story iPad app is one of those freebies. Check it out as it’s Canadian produced and self funded by Global Mechanic. If you like it, consider writing a review as that helps people discover the app.
What is World Read Aloud Day? World Read Aloud Day is a global literacy movement that is about “taking action to show the world that the right to read and write belongs to all people. World Read Aloud Day motivates children, teens, and adults worldwide to celebrate the power of words, especially those words that are shared from one person to another, and creates a community of readers advocating for every child’s right to a safe education and access to books and technology.”
A Sweet Story iPad app
“A Sweet Story is a charming book packed with lovely illustrations, quirky animation and an assortment of tasty childhood memories. After one reading of A Sweet Story, I found my daughter staying up late, hiding the iPad under the covers to read it one more time. That might be the highest recommendation one can give.” —Linda Simensky, Vice President of Children’s Programming at PBS
“A delicious and fast-moving little story about a brave boy and the food he hates. Best of all, it reads just like a real book.” —Russell Smith, Novelist, Globe and Mail columnist and parent
A limited number of signed collectors’ editions of Alice Munro’s Dear Life and Yann Martel’s Life of Pi have been printed on straw paper and are being sold for $250-500. The special sale is a campaign to demonstrate the versatility of straw paper developed by Second Harvest Paper in partnership with Canopy. At present, 50% of forests cut in North America currently become paper. This new straw paper contains only straw left over from grain harvesting and recycled paper, with no virgin forest materials used at all, and therefore no damage to our limited forest ecosystems.
Press Release (Vancouver) – Celebrated authors Alice Munro and Yann Martel have collaborated with award-winning environmental group Canopy to print collectors’ editions of their bestselling books Dear Life and Life of Pi. Printed specially on forest-saving paper made from straw rather than trees, the books highlight a viable solution to logging carbon-rich forests for paper. Published by Random House of Canada, a limited number of signed copies of each book will be available from these printings. All proceeds go towards Canopy’s continued forest conservation work and development of alternative paper sources.
“Future generations will only know bears, tigers, orangutans and caribou as fictional creatures unless we protect their habitat in the Boreal, tropical and temperate forests now,” said Yann Martel, after last week’s Oscars win by the film based on his novel. “Using straw paper for my book demonstrates that there are elegant solutions that keep the world’s towering trees standing.”
Canopy arranged the production of these rare special editions with Random House of Canada as part of their campaign to diversify the North American paper fibre basket. Kick-starting commercial-scale development of straw-based papers will significantly reduce the stress on endangered forests.
“Now more than at any other time in our history, we need to bring our intelligence and imagination to sustain our life support systems,” said Alice Munro. “With a pure passion and unwavering conviction Canopy has been working to protect the world’s forests and inspire innovation. This is exactly the kind of practical solution required.”
Both Alice Munro and Yann Martel, and their respective publishers, McClelland & Stewart and Knopf Canada, have worked closely with Canopy since 2000 when the organization first started its work to green the book publishing industry. At the time, no publisher was consistently printing on environmental papers.
“A decade ago Alice Munro and Yann Martel were amongst the first authors to work with Canopy and their publishers to curtail books being printed on paper from ancient and endangered forests,” said Nicole Rycroft, Canopy’s founder and executive director. “Today, they are yet again helping to pioneer solutions that will keep more than 800 million trees standing in North American forests every year.”
Every year millions of tonnes of wheat straw and flax straw, left over after the grain harvest in Canada, could be used to make commercial-quality paper. As of February 2013 Canopy’s ongoing market survey quantified an annual North American demand for more than 1 million tonnes of straw paper. The paper used in Alice Munro and Yann Martel’s titles is made from wheat straw, flax straw and recycled paper, and has half the ecological footprint of conventional paper. It is the product of a unique partnership that Canopy forged with paper producer Cascades Fine Paper, technical collaborators at Alberta Innovates, and printers Friesens and Webcom.
Signed special editions of Life of Pi will be available for purchase beginning March 6, 2013. Signed special editions of Dear Life will be available for distribution as of mid-April 2013, in time for Mother’s Day, but can be preordered today. Both books are available exclusively at canopyplanet.org.
Canopy is a not-for-profit environmental organization dedicated to protecting forests, species and climate. Canopy believes collaboration is the key and that businesses can be a powerful force for solutions, and work with more than 700 companies to help ensure their supply chains are sustainable. Canopy’s partners include Sprint, The New York Times, Random House, Hearst, Scholastic, and Lonely Planet. For more information, visit http://canopyplanet.org.
Congratulations to author Chad Pelley, winner of the inaugural Salon Fiction Prize.
[Press Release] Saint John, N.B., February 21, 2013 –The Telegraph-Journal, New Brunswick’s provincial newspaper, telegraphjournal.com, is ecstatic to announce that Newfoundland-based author Chad Pelley has won the inaugural Salon Fiction Prize for his short story ‘A Second Look at Nothing.’
Launched July 2012, the Salon Fiction Prize awards $1,000 for a previously unpublished work of Canadian short fiction. The winning piece is also published in the Telegraph-Journal’s weekend fine arts and culture section, Salon. ‘A Second Look at Nothing’ is running in the Feb. 23 issue of Salon.
Chad Pelley’s short story was selected from more than 100 entries from across Canada by an esteemed Atlantic Canadian jury empanelled for the new prize: Giller Prize-shortlisted short story writer Alexander MacLeod; Halifax-based Atlantic Poetry Prize-winner Sue Goyette; and Université de Moncton professor Thomas Hodd.
Chad Pelley is a multi-award-winning writer, songwriter and photographer from St. John’s, Newfoundland. His debut novel, Away from Everywhere (Breakwater Books) was released in 2009, and his follow-up, Every Little Thing (Breakwater Books) hits bookshelves in March. Recipient of the Newfoundland and Labrador Art Council’s CBC Emerging Artist of the Year award, Pelley is president of the Writers’ Alliance of Newfoundland and Labrador and runs the CanLit blog saltyink.com. See Chad Pelley’s author bio and book links on 49thShelf.com
Published every Saturday in the Telegraph-Journal, Salon is home to some of the best arts and culture writing in Canada – honoured with both national and regional newspaper awards. As space and resources devoted to books continues to dwindle, and the CanLit landscape disappears from Canadian newspapers, Salon remains dedicated to supporting our nation’s writers and their words.
Aptara—a well-known company in publishing circles that specializes in content production for ebooks and apps—has posted an infographic on how interactive ebooks get built. Interactive eBooks combine mobile and graphic technologies to create reading experiences that go beyond just text on the page.
Craig Mod is one of the book+tech people who I follow because he thinks a lot about the future of books and storytelling and how digital reading is different and, more important, how we can better design for that experience.
40 minutes worth taking out of your day. Watch this instead of some crappy reality tv show.
The longlist for the BC National Award for Canadian Non-Fiction has been announced. One hundred and forty-three books were nominated for the 2013 prize of $40,000 and from that list the longlist of ten books have been selected.
The longlist is as follows and full details are included on the attached news release:
A Geography of Blood: Unearthing Memory from a Prairie Landscape
A Season in Hell: My 130 Days in the Sahara with Al Qaeda
A Thousand Farewells: A Reporter’s Journey from Refugee Camp to the Arab Spring
Here We are Among the Living: A Memoir in Emails
Pinboy: A Memoir
Solar Dance: Genius, Forgery, and the Crisis of Truth in the Modern Age
Straphanger: Saving Our Cities and Ourselves from the Automobile
Sword of the Spirit, Shield of Faith: Religion in American War and Diplomacy
The Last Viking: The Life of Roald Amundsen
Stephen R. Bown
Walls: Travels Along the Barricades
Marcello Di Cintio
The finalists for the BC National Award for Canadian Non-Fiction will be announced December 4, 2012. The $40,000 BC National Award for Canadian Non-Fiction is presented by the BC Achievement Foundation and will take place in Vancouver in early 2013.
Previous winners of the BC National Award for Canadian Non-Fiction include:
• Charlotte Gill for Eating Dirt (2012)
• John Vaillant for The Tiger (2011)
• Ian Brown for The Boy in the Moon (2010)
• Russell Wangersky for Burning Down the House (2009)
• Lorna Goodison for From Harvey River (2008)
• Noah Richler for This Is My Country, What’s Yours? (2007)
• Rebecca Godfrey for Under the Bridge (2006)
• Patrick Lane for There Is a Season (2005)
Centre for Digital Media, 685 Great Northern Way $150 for Both Days (Workshop + Conference) or $75 for Single Day
What’s Mini TOC?
Come out to Vancouver’s first mini-TOC. O’Reilly’s Tools of Change conference is an annual event held in New York every year. Just like TEDx, mini-TOC is a way to bring the same type of stellar programming from the main event to the local stage. This is the first time the event has been held in Vancouver!
Who’s It For?
Smart, engaged, bookish and techy people are going to gather on October 19 and 20 for a series of workshop events on the Friday and a full conference day on the Saturday. If you’re a publisher, author, marketer, designer, programmer or interested in the convergence of books and technology, then this conference is for you.
October 19, 9:30 am to 5 pm: Friday Workshops
Start time is 9:30-10 am for registration, coffee and networking.
Then at 10 am, there are two tracks to choose from, either Tech: HTML5/Mobile or eBook Publishing.
Lunch from 1-2 pm.
The tracks continue on in the afternoon.
When registering, make sure to pick either the Tech or eBook track. I was a bit confused by the registration process. So to clarify, if you’re keen on both days, look for the ticket types that are $150, then select either the Tech or Ebook one. If you’re interested only in the workshop day or only in the conference day, then those are the $75 ticket types, and again if you’re choosing the Friday workshop, make sure to select your preference for the Tech or Ebook track.
October 20, 9 am to 5 pm: Conference Day
Start time is 9 am for registration and coffee. The conference gets underway at 9:30 with some introductory remarks and the Keynote from Corey Pressman of Exprima Media, “From Caves to Clouds: The Journey to Contentopia”
Corey Pressman taught Anthropology for 12 years before leaving teaching to start Exprima Media, a software company dedicated to creating robust and engaging educational experiences for the web and native mobile platforms. Exprima Media is currently working with publishers such as W.W. Norton, John Wiley & Sons, and McGraw Hill to build the future of educational interactive media. Also, under Corey’s direction, Exprima Media is participating in the ‘global mobile’ revolution, developing educational mobile applications for use in less economically developed nations.
I’m super excited for the next presenter, Igor Falestski of Mobify.com, who will be talking about designing for multiple screens. Meaning, how do publishers plan for and design for iPad, iPhone, Kindle, Android devices, desktop and whatever other devices are out there.
Great presentations follow on academic publishing and mobile apps, digital publishing models, challenges with discoverability in online marketplaces, book design, legal conundrums and the advantages and disadvantages of digital reading.
* There is a 50% early bird discount that ends Friday.
Ticket prices right now are the discounted price: $75 for one day or $150 for both
Don’t Forget Ignite
And, stick around after 5 pm on Saturday for the reception and IGNITE presentations. In case you’re unfamiliar with Ignite, it’s a style of presentation that is flash fire and timed. The format is 20 slides displayed for 20 seconds each. It’s a real performance!
Word on the Street is coming to select cities across Canada on Sunday, September 30. WOTS is a festival of writing and reading, which is free to the public.
If you’re in Vancouver, here’s what’s on tap for this year’s festival:
From race horses to politics, to stories of the hippie days, suffragettes to road trips, squeezeboxes to love letters, and much more, Vancouver’s The Word On The Street is back for its 18th year with three days (Sept. 28-30) of reading and writing excitement!
The main festival day is Sunday, Sept. 30 where word lovers will find author readings, writing and publishing exhibits, musical entertainment, roving performers, children’s activities, workshops, panels, books and magazines, and more in and around Library Square and CBC Plaza, Homer and Hamilton Streets between Robson and Georgia.
Friday night programming (Sept. 28) will take place at Banyen Books and Historic Joy Kogawa House, and Saturday programming (Sept. 29) takes place at Carnegie Centre (Main and Hastings).
Highlights include readings by (among approximately 100 authors!) Annabel Lyon, WP Kinsella, Yasuko Thanh, Billie Livingston, Arthur Black, George Bowering, Brian Calvert & Chris Cannon (the Canada Party), Anakana Schofield, Kevin Chong, and George Murray (direct from Newfoundland!). Readers for children include Robert Heidbreder, Sylvia Olsen, Susin Nielsen, and Caroline Adderson.
David C. Jones will be the host of the Mainstage entertainment on the 30th featuring accordions, ukuleles, drumming, a poetry slam, and more.
And my favourite: Word Under the Street is happening again in the downstairs area of the library.
Word Under the Street features local alternative comic book artists and illustrated zine producers. This year there will be sessions with comic book artists such as Gord Hill and Sam Bradd, plus panels and workshops such as a “love letter” workshop with Ricepaper Magazine and a memoir writing workshop with Naomi Beth Waken.
If you’re near Carnegie Centre, WOTS has a chapbook-making workshop, a session on “how to do your best live reading” with Hal Wake, and ab open mic poetry night.
The Word On The Street takes place in Vancouver, Toronto, Kitchener, Lethbridge, Saskatoon, and Halifax.
One more time ...
Open any page of Patrick deWitt’s The Sisters Brothers and you’re in for a treat. The novel vacillates between poignant then hilarious moments in a way that kept me flipping the pages in a race to the end. I’m ready to start again. The Sisters Brothers is such a pleasurable read.
Oregon City, 1851
I was sitting outside the Commodore’s mansion, waiting for my brother Charlie to come out with news of the job. It was threatening to snow and was cold and for want of something to do I studied Charlie’s new horse, Nimble. My new horse was called Tub. We did not believe in naming horses but they were given to us as partial payment for the last job with the names intact, so that was that. Our unnamed previous horses had been immolated, so it wasn’t as though we did not need these new ones but I felt we should have been given money to purchase horses of our own choosing, horses without histories and habits and names they expected to be addressed by.
The same way that the film True Grit was casual yet brutal, poetic yet slap-stick, so too is The Sisters Brothers. It’s a challenge to the conventional western, and, as Chad Pelley aptly says, “deWitt’s tale of two outlaw brothers challenged conventional CanLit to a duel in 2011, and it won.”
Yes it won big.
Winner of the Governor General’s Award for Fiction and the Rogers Writers’ Trust Fiction Prize, plus shortlisted for the Man Booker Prize and the Scotiabank Giller Prize
Back cover quotes often seem empty to me but Esquire nails it by saying “Thrilling ... A lushly voiced picaresque story ... A kind of True Grit told by Tom Waits.”
The Sisters Brothers is a new frontier you must cross. I promise you there is gold at the end of this stream! I often give away my books as I’m not one to re-read, but The Sisters Brothers is a novel I must own. It’s also the one I’ll be giving away as gifts this year.
Even in Canada, a “free country” by many standards, there are restrictions, policies and social snubbing that we should question.
Author Lawrence Hill is honoured this year on the basis of his reasoned and eloquent response to Dutch activist Roy Groenburg who objected to the use of the word “negro” in the Hill’s novel The Book of Negroes and threatened to burn the book (which he did in June 2011).
Lawrence Hill offered to speak with Roy Groenburg and also wrote an op-ed piece in The Toronto Star.
Burning books is designed to intimidate people. It underestimates the intelligence of readers, stifles dialogue and insults those who cherish the freedom to read and write. The leaders of the Spanish Inquisition burned books. Nazis burned books…
For those who followed the story, you may recall that New Yorker blogger Ian Crouch compared the story to a similar incident where Florida pastor Terry Jones torched a copy of the Koran. Crouch notes that the two cases are similar in that their publicity stunts used the same tactic to attract attention.
I’ve never understood the power of burning a book or a country’s flag. Why do people do this? Why does rational, political discourse devolve into disrespect? I suppose because one party decides to be irrational, to make assumptions. In the case of The Book of Negroes, it appears that Groenburg didn’t even read the book because he was so incensed by the title.
In Hill’s op-ed piece, he notes that The Book of Negroes is published in the USA, Australia and New Zealand as Someone Knows My Name.
Are we really this fragile? There’s no policy or restriction in US publishing that would require this title difference but somewhere in the publishing process it was deemed necessary. The social snub won out. How unimaginative.
The title The Book of Negroes is drawn from that of a 1783 historical document, which lists the names of Black Loyalists who, having fought for the British during the American Revolutionary War, were to be transported to Nova Scotia.
Surely the novel promises to be a transformative, or at least informative, read? As part of Hill’s response, he says:
Rather than flinching from a document that addresses the history of African people, Mr. Groenberg and his followers should put down their matches, respect freedom of speech, and enter into a civil conversation about slavery, freedom and contemporary language. On that subject, Canadians and the Dutch have much to learn from each other.
To me the most wonderful thing about books is people’s passion for them. The freedom to read should never be taken for granted. This is why I celebrate Freedom to Read Week, which encourages Canadians to think about and reaffirm their commitment to intellectual freedom.
Spend some time in the upcoming week considering what books are available and why in your school, library, or office. Think about your reading materials: books, newspapers, magazines and websites. Even consider the stories you watch on television or hear on the radio.
And now think about Bill C-30 and what the government’s proposed initiative to enhance internet surveillance means to our freedoms. If the police and government can have unrestricted access to our email communications, for example, how does that play out in terms of what an investigative journalist will be able to research, his or her access to sources, the ability to unmask issues of public concern? This is only one example of how such a policy could have unintended (or intended) effects on your access to information.
Challenge the complacency of those who say these measures make us more secure. More important, read more about both sides of the debate and make an informed opinion.
Freedom to Read Week is about recognizing our right to read, write, speak and publish freely, which includes speaking out against challenges to these freedoms.
Canadian book sales and circulation numbers are in and the National Book Count findings provide an interesting look at Canadians’ interest in reading.
The big picture: More than 3.4 million books are bought and loaned in a typical January week in Canada. 10% of English book sales are now in e-books.
Or as the National Post puts it, “By the time you read this sentence, 25 books will have been sold or circulated in Canada.”
How do we know that? Each year the National Book Count, sponsored by the National Reading Campaign (NRC), takes a snapshot of book sales and public library circulations for a typical week in Canada (not during holiday time, not summer reading, just a plain, old, regular week in January).
A total of 3,405,687 books were counted as being sold or circulated for the week of January 23-29, 2012. That’s 5 books every second in a nation of 34,278,400.
Book sales were collected by 3 book sale aggregators: BookNet Canada, BookManager, and la Société de gestion de la Banque de titres de langue française (BTLF).
Book circulation was tracked by the Canadian Urban Libraries Council (CULC).
This covers 28 public library systems (circulation to over 13.7 million Canadians), 80% of the English language book retail market and 45% of the French language book retail market across Canada.
No individual consumer information was collected.
This is also the first time e-book sales have been counted in Canada.
E-book sales comprised 10% of all books sold in English Canada. To put that into perspective:
The “Global Assessment of E-Book Markets” presentation by Giovanni Bonfanti, A.T. Kearny / Marco Ferrario, BookRepublic, in January at Digital Book World ranked the top 3 e-book reading countries: United States at 20% penetration, South Korea at 14.5% and the United Kingdom at 7%.
Since e-book lending has also been in the news lately, it’s good to finally have some numbers. The National Book Count reveals that public libraries reported that 3% of their circulation comprised digital formats.
Where are the numbers from?
Online print book sales were captured from major online retailers including Amazon.ca and Indigo.ca.
Digital downloads from public libraries were provided by the CULC, and
English language e-book sales were provided by the Association of Canadian Publishers and the Canadian Publishers’ Council, and e-book sales from Kobo, Kindle, Sony Reader and Apple devices were included.
The second annual National Book Count shows that Canada is a nation of readers. Although the count is only over the course of 1 week, the combined tabulation across the spectrum of book retail and public libraries provides insights we don’t otherwise have into this industry.
Major findings this year include:
1,153,081 print books were sold by retailers including Indigo Books & Music, Amazon.ca and other national chains, as well as over 260 independent bookstores across the country. English language print book sales for the week increased 4% over 2011.
111,053 English language e-book sales were counted. As this is the first year counting e-book sales, no direct comparison can be made, but publishers report a “significant” increase from 2011.
2,141,553 print books were borrowed from 28 participating public library systems.** 63,196 e-books were downloaded. Canadian libraries saw an 8% increase in print circulation and a 50% increase in digital circulation for an overall increase of 9% total circulation for libraries that participated in 2011 and 2012.
French language print book sales increased 35% over 2011. This number primarily reflects increased count coverage, not necessarily a surge in book purchases. No French language e-book book sales were captured this year.
About the National Reading Campaign
The National Reading Campaign had its beginnings in 2008, when a coalition of readers, parents, writers, editors, librarians, bookstore owners, teachers, publishers and distributors came together to assess and consider the changing reading habits of Canadians. Their third and final summit takes place in Vancouver May 2-4, 2012.